In 1734, South-eastern Prussia a guild was founded for the blue and Schönfärber crafts, wherein linen, and in later years cotton fabrics, were printed using a particular indigo blue dye and a resist process.
History and Development
Although Blaudruck or Blueprint fabric design is highly parochial and a traditional folk art, rather than existing on a commercial level, the ideas and inspiration for this form of textile design, had its roots in the wider art forms of the eighteenth century. Peasants from Cottbus and Lusatia were influenced by elaborate tapestries, expensive furnishings and blue and white porcelain styles they saw in around them during the 18th century. Blueprint then developed into a cottage industry of hand-woven linen fabrics, made by the rural population, and then dyed predominantly in indigo blue but occasionally in red or yellow.
For many handcrafts, as well as Blaudruck, industrialization spelled the end of most blue printing workshops and only a handful remained to carry on this craft.
The color is transferred directly to the fabric surface and appears first as brown. After drying, the material is placed in a developing bath, in which the brown ink changes to a bright blue by a chemical reaction. The fabric is finally boiled, pressed and then ready for use. Printing must be done very carefully, as errors can not be corrected. This craft process is a further development of the original reserve print and is used when a blue pattern is to be created on a white background.
It is a dyeing process, not a printing process as the color is transferred directly to the fabric surface and initially appears brown. After drying, the material is then placed on racks in a developing bath, and a chemical reaction turns the brown ink to a bright blue. Lastly, the fabric is boiled and pressed before it is ready for use. The fabric is hung on an iron frame in layers and dipped into a deep ‘Färbebottich,’ or vat.
An alternative process can create a similar blue colored fabric using a form of etching using a corrosive substance (etching), which also leads to a white pattern on a blue background.
The ornamental motifs and patterns that are used, in Blueprint textiles, are some of the oldest known patterns used in textile design. Florals, perpetual borders and Christianity motifs were popular themes and clearly an integral part of folk’s lives.
“Blueprint” have been used to decorate such items as tablecloths, pillowcases, curtains, and wall hangings.Even in clothing fashion, it was used as as an element of ethnic minority from the Lusatian region. Aprons, in particular are printed with different patterns on the front and back
A philosophic Aussie writes here at StPA, one who will readily admit to loving Scandinavia. I'm interested in global politics and what drives us to be who we are. Scratch the surface and you'll find a practical Environmentalist with an egalitarian bent, trying to unleash a little creativity via the written word.
Scandinavian culture, literature and traditions are close to my heart, even though I'm Australian. Travel and courteous discussions greatly broaden the mind, so I travel if I can and am always up for a vigorous, respectful discussion. I'm an avid reader, I enjoy photography and craft, particularly traditional art forms. I hope you'll find 'Something to Ponder About,' in my WordPress Community.
View all posts by Forestwood