Every second Monday, I post a new photo of a ‘mystery’ location, and sometimes a mystery object. I invite you to leave a comment if you think you know the location, or what the mystery object might be.
If you guess correctly, I will link back to your blog in the follow-up post, when the answer is revealed. N.B. Comments will be released on alternate Mondays (Australian E.S.T.), so as not to spoil the fun for late-comers to this post.
Contribution and guest posts of Monday mystery photos are very welcome. You can send me the photograph by email. My addy can be found by clicking on my profile.
Many thanks to Banactee for submitting the above photograph.
Previous Monday Mystery Photograph
The photo from Banectee depicted the ancient petroglyphs from the Fajana cemetery on the island of La Palma, Spain in the Canarian Archipelago, thought to be etched by the Indigenous people of the Canary Islands.
“Today, archaeological and ethnographic studies have led most scholars to accept the view that the pre -colonial population of the Canaries shared common origins with North African Berber tribes from the Atlas Mountains region who began to arrive in the Canaries by sea around 1000 BCE or earlier.” Source: https://en.wikipedia.org/wiki/Canary_Islands_in_pre-colonial_times
Monday Mystery Photo – Something to Ponder About on Mondays
Each Monday, I post a mystery photo, or occasionally a mystery object. I invite you to leave a comment if you think you know the location of this week’s photograph. If you guess the correct location, I will link back to your blog when the answer is revealed the following Monday.*
*Please note that I will release comments in the latter part of each week, usually Thursday or Friday and in this way, everyone can have a guess without a spoiler being revealed in the comments.
Last week’s Monday Mystery Photograph
Last week we were in Wroclaw, (pronounced more like Vratslav), in Silesia, Poland checking out – “The Anonymous Pedestrians.”
I have to say I found this incredibly powerful piece of street art. Sources state that the statues are representative of all the people working, for so many years, in the Polish underground movements. As Poland has struggled for centuries with self-determination, it has a poignant theme and spans many generations of untold struggle, heroism and resilience. A really significant piece of Polish art, worth seeing, if you ever have the pleasure of visiting Poland.
“The wonderfully lifelike bronze statues descending into the earth are based on Jerzy Kalina’s temporary art installation set up in Warsaw in 1977; the original plaster sculptures, stored in the Wrocław National Museum for 28 years, were re-cast in bronze and unveiled in the middle of the night on the 24th anniversary of the introduction of martial law in Poland.” [Source: inyourpocket,com]
Wroclaw has much more to offer and I personally loved the city. The old town and surrounds are very special. Intrigued? Read more about it here
The following bloggers guessed last week’s photograph location correctly:
Rosemaling is a little known traditional art form unique to Norway and is characterized by stylized flowers and ‘c’ and ‘s’ shaped scrolls, inspired by the Renaissance and Acanthus motifs. It is a regional folk art that is timeless and dynamic.
How did Rosemaling evolve?
From rudimentary beginnings in the woodcarving decorations and religious art of the Middle Ages, Rosemaling first appeared in Norway during the Renaissance and Baroque periods of 1550 –1700. Early examples, such as stylized plant motifs and acanthus scrolls, can still be seen in the traditional Norwegian churches dating from that era. In addition, regular trading of goods, with other countries in the Hanseatic League, provided the opportunity for East Asian influences to reach the shores of Norway and this provided further inspiration and influence for development of Norwegian folk art.
International trends in religious and modern art were relatively slow to reach the rural areas of Norway, and it was only as church furniture and fittings, (manufactured by the fashion-conscious urban craftsmen), were gradually installed in the country parishes, that new designs and ideas were introduced to the country folk. Well-to-do farmers and Government officials and the fashion conscious, urban Norwegian elite were more heavily influenced by international trends in decorating and thus Rosemaling was confined mainly to the households and churches in the distant, rural Valleys of Norway.
In this relative isolation, rural Norwegian folk artists adapted the Renaissance inspired religious motifs and changed it to suit their own purposes. Over time, this folk art developed into an original style that evolved into a new art-form, with individual characteristics pertinent to each Valley. Between 1700 -1850, lavishly painted objects were often seen as status symbols. Therefore, itinerant or local folk artists were in high demand painting Rosemaling designs on cupboards, dressers, bridal trunks, saddles, harness parts, sleighs, and even clocks
The symmetrical designs of acanthus vine elements, so popular in the Renaissance era, were heavily influenced by Rococco trends from Europe, and later adapted by folk artists, finally emerging, in the Telemark region of Norway, as the distinctive ‘C’ curves and ‘S’ scroll forms, of Rosemaling, on an asymmetrical central root. This is the very popular style that we now identify as Telemark Rosemaling.
As the twentieth century approached, Rosemaling declined in popularity and it was only the political situation in Norway that saved it from complete obscurity. Once Norway gained its independence, as a nation, there was, amongst the Norwegian public, a groundswell of interest in all things Norwegian, particularly crafts and painting. The revival continued throughout most of the 20th century and ensured Rosemaling had a promising future, both in Norway and in immigrant communities around the world, especially in the United States.
An opportunity to see the rich heritage of Norway should not be missed. By studying the Rosemaling in the Stave churches, museums and contemporary exhibitions in Norway, a folk artist can, like those painters in centuries past, become inspired to create individual masterpieces and hopefully, their own original style.
History and Art is Something Beautiful to Ponder About
If we are ever to begin to design our own art, we need an understanding of the various elements and principles of design, and how they combine to create an overall pleasing visual effect. So far, in previous posts, we have looked at Line and Shape, and how they contribute to art forms. This week, we focus on the element of ‘SPACE’ and find how it can assist to create a better design.
Week 3 – Space
Space as an element of art that refers to the area around objects: either Positive Space: that is areas occupied by an object or form and, Negative Space: the area in, between, around, or within objects. Every positive shape is surrounded by negative space.
You can further divide Negative spaces into: –
– Passive negative space – this separates visual elements, and includes things like margins and the spacing between letters, words, or lines.
-Active negative space – this draws the viewer’s eye to something, or help viewers focus on the objects that they should see, instead of making their eyes look all over the place.
A daily ‘Color Challenge’ is running until next month. Such a challenge can help with understanding colour, its attributes and nuances, and how it makes us feel. Everyone sees colour differently.
Having a good sense of colour can help us make good choices in home decorating, in how we dress, in art and in how we feel, as colours around us can often affect our moods. Just think how we feel when the skies are dark and grey, as opposed to a sunny morning with a blue sky.
There are various colour matching tools on the web, (links below), that can help you find the colour that most matches the one you want for your art/decoration/clothing/craft. You can even upload your own image and analyze the colours there.
Today’s colour is PLUM. A full-bodied colour, often spoken about as if it were a description of a much cherished wine! Here’s why:
Which one is closest to your version of the colour, ‘plum?’