Traditional Art – Buddhist Thangka

 

Very likely one of the oldest Buddist symbols, the Wheel of Life is a popular theme in traditional Tibetan Buddhist art and it is known as the Thangka. Historically this highly skilled art form is commissioned for both spiritual and mundane matters, such as aiding the sick,  or to gain merit during commemoration of religious events.

At one time, Buddhist monks used to draw beautiful and complex mandalas on the ground, using colored sand. Once the Mandala was completed, it was removed as conclusion of the ritual, a strong symbol of the impermanence of reality.

 

patan Temple Katmandu

 

 

 

 

One of our treasured artistic possessions from a trip to Bhaktapur, in Nepal, is a Tibetan Buddhist Thankgka painted on silk, pictured below.

 

Buudhist art Apologies for the reflection on the image.

 

Thangkas are painted by the monks themselves, and the art form demands great mastery over drawing, as well as a high understanding of the geometric and iconographic principles within this style of traditional art.

Lamas and pilgrims would carry them in ceremonial processions and Thangkas were hung in monasteries as a way to display Buddhist teachings, in pictorial form.

Certain pictorial elements are outlined in 24 carat gold and are still considered an important method for studying and preserving the religion, history, culture and traditions of the Himalyan countries of Tibet, India and Nepal.

Here you can see the painstaking and long hours needed to produce this work of art:
[youtube https://www.youtube.com/watch?v=4YyptY72-rk]

What do the Symbols Mean?

This art form is highly formalized typically seen as four or five concentric rings, or their symbolic equivalents, depicting the realms of existence associated with the journey towards enlightenment.

 

  • In the central ring, you will often find the intertwined images of a pig, a rooster, and a snake which symbolically depict the three “kleshas,” (mental states affecting actions), being ignorance, greed and aggression, called Samsara. These three states characterize the world of suffering and dissatisfaction.The snake and bird can be seen coming out of the mouth of the pig, indicating that anger and attachment arise from ignorance. At the same time the snake and the bird grasp the tail of the pig, indicating that they both promote even greater ignorance.

 

  • Half of the second ring depicts light, showing contented people moving upwards to higher states, possibly to the higher realms whilst the remaining half-circle, (usually dark), shows people in a miserable state being led downwards to lower states, or realms. These images represent karma, the law of cause and effect. The light half-circle indicates people experiencing the results of positive actions, the dark indicating negative action.

Propelled by their karma, beings take rebirth in the six realms of Samsara, as shown in the next ring.

 

  • The outer rim of the wheel is often divided into twelve section.  Whilst the three inner layers display the three poisons that lead to karma, and the suffering of the six realms, the twelve links in the outer rim show how this can happen. This is reference to cause and effect, or karma, over several lifetimes, demonstrating our current life and how our past lives and our present action influence us and our future.
  • The outer area contains decorative floral motifs and mythical animals, which were elements introduced into Buddhist painting in the mid – twentieth century by Newar artists of the Kathmandu valley.

 

 

  • Surrounding the wheel is either Mara, the fearsome demon who tempted Buddha, or Lord ‘Yama’, the Lord of Death, with his tiger skin hanging beneath the wheel, (indicating fearsome- ness), and it is he, who holds the wheel of life in his hands. Regardless of which figure is depicted, it represents impermanence and the transient nature of existence; everything within this wheel is constantly changing. The four limbs, (that clutch the wheel) symbolize the sufferings of birth, old age, sickness, and death.

By contemplating on the twelve sections of the outer ring, one gains greater insight into karma and this insight enables us to begin to unravel our habitual way of thinking and reacting.

  • The twelve outer sections, paired with their corresponding symbols, are:

lack of knowledgea blind person, often walking, or a person peering out

constructive volitional activitya potter shaping a vessel or vessels

consciousnessa man or a monkey grasping a fruit

name and form (constituent elements of mental and physical existence) – two men afloat in a boat

six senses (eye, ear, nose, tongue, body, and mind) – a dwelling with six windows

contactlovers consorting, kissing, or entwined

painan arrow to the eye

thirsta drinker receiving drink

graspinga man or a monkey picking fruit

coming to bea couple engaged in intercourse, a standing, leaping, or reflective person***

being bornwoman giving birth

old age and deathcorpse being carried

*** The images of the couple lying together in a sexual union, we were told, was never intended to be pornographic, but rather to excite and increase the potency of fertility, especially for males! Devotees consider all creation begins with the sacred union of male and female energies. To experience the pure creative passion between man and woman they believe; to know unconditional love, is to manifest the body, mind, and spirit of a Buddha.

Something traditional to Ponder About

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Monday Mystery Photo- Last time Cambodia

Every second Monday, I post a photo of a ‘mystery’ location, and sometimes a mystery object.  I invite you to leave a comment if you think you know the location, or what the mystery object might be.

If you guess correctly, I will link back to your blog in the follow-up post, when the answer is revealed. Comments will be released on alternate Monday (Australian E.S.T.), so as not to spoil the fun for late-comers.

The Mystery Photo this time comes from Yinglan, who blogs at Another Story.

Thank you Yinglan for the series of photos you sent in. Much appreciated.

Can you guess the location of the following photo, or a fact about the structure?

DSC08494

Previous Monday Mystery Photo – Cambodia

philipcambodia

 

Last time the mystery photo, seen above, originated from guest contributor Philip Duck whose blog, Cambodia Beginnings, can be found here.

Many thanks, for the kind use of the photo, Philip. It is much appreciated.

Philip tells us a little more about the structure here:

Wat (Pagoda) Sangke,

Battambang city, Battambang, Cambodia :

“Opposite the Wat is a park and the delightful Sangke river. Battambang is Cambodia’s third-largest city, but it’s a peaceful place with some beautiful French colonial architecture. Many consider Battambang rice to be the country’s best.”

Here are the winners for this round:-

Mel and Suan from Travelingmatters.net/  knew the temple itself by the four faces of Buddha
 Restlessjo  and Mosy thought it was very much like Angkor Wat and thus guessed Cambodia correctly.

Pooja  and Leggypeggy.com/  were also confident it was Cambodia

Can you guess as well this week?

 

Something to Ponder About

cropped-st-p-a.png

 

Monday Mystery Photo – Last time Nepal

Each Monday, I post a mystery photo, or occasionally a mystery object. I invite you to leave a comment if you think you know the location of this week’s photograph, (posted above). If you guess correctly, I will link back to your blog when the answer is revealed the following week.

Here is this week’s mystery object:

mmp close up May1 2017
Can you guess what this is?

*N.B. If your comment/guess isn’t showing immediately, it is because comments are released on the following Thursday or Friday of the week the Monday Mystery photo, is posted. That way, everyone gets a chance to guess, without peeking at any of the previous guesses.

Last Week’s Photo:

mmpmadhavpooja last
Last week’s photo – NEPAL

Last week’s photo from Nepal, was submitted by Pooja of the worthwhile visiting blog:  Stories from Europe . Pooja’s photo was, in fact, located at the street view adjacent to Boudhanath Stupa, or Shrine, in Kathmandu.

“Believed to have been built in the 14th century, Boudhanath was shaken by a magnitude 7.8 earthquake in April 2015 that killed almost 9,000 people and displaced millions. Its sprawling white stupa, topped with four pairs of hypnotic eyes that stare out across the capital was largely spared, but the gold spire that sits atop the dome was severely damaged.” [Source: https://www.theguardian.com/global-development/2016/nov/22/nepals-earthquake-hit-boudhanath-stupa-reopens-after-restoration-private-donations]

I received a raft of very good guesses for Pooja’s photo, and those who were correct included:

Mel & Suan from Travelling Matters

Tara from After the Rain

Master of Something Yet

The Snow Melts Somewhere

New Guest contributors to Monday Mystery Photos, are ALWAYS very welcome. Please flick me an email if you’d like to submit a photo to the Monday Mystery Feature. You will find my email by hovering over my Gravatar and clicking on ‘Complete Profile.’

Monday Mystery

Monday Mystery Photo – Always Something to Ponder About

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Proverbial Thursday – Global Wisdoms

outdoors 2

 I find there to be profound wisdom in proverbs, sayings and quotes and I marvel at the way they are so succinct in communicating messages to the reader. Mostly anonymous, they come to us from past generations and from across cultures. They speak of the experiences of lives lived and lessons learned. Quotes, like proverbs, make us think more deeply about something.

Each Thursday, I post a Proverb or Saying and a Quote that I find thought-provoking. 

I hope you think so too.

Continuing on the series of African Proverbs, we have another from Kenya this week:

An empty tin makes a lot of noise

(Kenyan Proverb)

Life, we learn too late, is in the living, in the tissue of every day and hour.

– Stephen Leacock

Stephen P. H Butler Leacock, (1869 –1944) was a Canadian teacher, political scientist, writer, and humorist. Between the years 1915 and 1925, he was the best-known English-speaking humorist in the world. He is known for his light humour along with criticisms of people’s follies. [Wikipedia]

To enjoy the world without judgement is what a realized life is like

– Charlotte Joko Beck

 

What do you make of this week’s proverb? Do you find it is true, in your experience?

And the quotes this week:  Both are about life and how we live it:

Is it possible to live a life complete, without judgement?

Or is judgement a necessary, protection mechanism or an evolutionary aberration?

Japanese Garden

Please do join in the discussion.

I would be pleased to hear all thoughts and comments.

Something to Ponder About this Thursday.

proverbial-thurs

Proverbial Thursday – Global Wisdoms

I find there to be profound wisdom in proverbs, sayings and quotes and I marvel at the way they are so succinct in communicating messages to the reader. Mostly anonymous, they come to us from past generations and from across cultures. They speak of the experiences of lives lived and lessons learned. Quotes, like proverbs, make us think more deeply about something.

Each Thursday, I post a Proverb or Saying and a Quote that I find thought-provoking. 

I hope you think so too. Continue reading “Proverbial Thursday – Global Wisdoms”